|Initial drawing, thin layer of Burnt Sienna & Prussian Blue.|
|Slowly added Alizarin Crimson, Burnt Umber & White.|
Ended up wiping this down because it felt too worked.
|Much more developed face, more elements of blue present.|
This is a portrait I did for my painting class, in which I wanted to
create a strong sense of design mixed with a feeling of romanticism.
Often when I'm painting if I don't like where its going I'll wipe it
down to the sketch or initial layer of dried paint and start over again.